Review: The RSC’s “The Mirror and the Light”

I was lucky enough to get tickets to one of the first matinee performance of teh RSC’s “The Mirror and the Light” as a birthday present this year, and I thought that I would jot down some of my thoughts about the play.

Spoiler warning: I am going to try not to give too much away but there will be some small spoilers for the production (and historical events) beyond this point…

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Review: Gold and Glory Exhibition, Hampton Court Palace

A wide open path leads towards the main entrance to Hampton Court Palace. In the distance, three people walk along the path.

Last Friday, I took the opportunity of being in the vicinity of Richmond to visit the Hampton Court Palace and, in particular, the Gold and Glory exhibition (running until 5 September 2021). Originally due to take place in 2020 to mark the 500th anniversary of the Field of Cloth of Gold, it was postponed to this year due to Covid.

The exhibition is divided across six rooms – those used by Cardinal Wolsey when he stayed at the palace – and takes the visitor from c. 1513 through the Treaty of Universal Peace, to the preparations for the meeting between Henry VIII and France I, and on to the Field of Cloth of Gold. In the first room are portraits of the key figures – Henry VIII and Francis I – alongside paintings of the Battle of the Spurs, and the meeting of Henry VIII and Maximilian I; and a small display about Mary Tudor and Charles Brandon. I felt that this was the least successful of the rooms. Setting the international scene for the Field of Cloth of Gold in a concise and accessible fashion is always going to be difficult but the small number of items on display seemed to serve as interesting vignettes rather than hanging together to tell a coherent story of the 1510s. The second room was devoted to the display of a copy of the Treaty of Universal Peace (some of the most beautiful handwriting I have seen!) and a number of items relating to Cardinal Wolsey, including his hat and the early-15th century Book of Hours gifted to him by Cardinal Campeggio.

Above (L-R): Sign marking the Gold and Glory exhibition; portraits of Henry VIII and Francis I on display in the first room; interpretation banners

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